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      <image:title>portfolio - Um and Ah x 2</image:title>
      <image:caption>Um and Ah (concrete) , foam, stucco, steel, hubble telescope image. 2012-13. Um and Ah trampoline, foam, aluminum tape, trampoline, hubble telescope image. 2012-2013.</image:caption>
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      <image:title>portfolio - Um and Ah (concrete)</image:title>
      <image:caption>Um and Ah (concrete) , foam, stucco, steel, hubble telescope image. 2012-13.</image:caption>
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      <image:title>portfolio - Um and Ah trampoline</image:title>
      <image:caption>Um and Ah trampoline, foam, aluminum tape, trampoline, hubble telescope image. 2012-2013.</image:caption>
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      <image:title>portfolio - Detail: Um and Ah trampoline</image:title>
      <image:caption>Um and Ah trampoline, foam, aluminum tape, trampoline, hubble telescope image. 2012-2013.</image:caption>
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  </url>
  <url>
    <loc>https://michaelrees.org/projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2013-02-12</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/blog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-16</lastmod>
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  <url>
    <loc>https://michaelrees.org/blog/2021/2/15/catalogue-now-available</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-16</lastmod>
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      <image:title>interviews - catalogue now available</image:title>
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  <url>
    <loc>https://michaelrees.org/blog/2021/2/15/beez-and-honey-with-nicolette-ramirez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-16</lastmod>
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  <url>
    <loc>https://michaelrees.org/blog/2021/1/14/project-v61</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-14</lastmod>
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  <url>
    <loc>https://michaelrees.org/blog/2021/1/14/a-conversation-with-john-simon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-14</lastmod>
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  <url>
    <loc>https://michaelrees.org/blog/2021/1/14/conversation-with-anna-ehrsam-part-1-and-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-14</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/blog/2021/1/14/video-introduction-to-synthetic-cells-site-and-parasite</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-14</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/blog/2018/9/23/pneumatopia-the-nerman-museum-of-contemporary-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1537724351578-2YDDEHXGLZ8OP7VV86O8/PneumaNerman.jpg</image:loc>
      <image:title>interviews - Pneumatopia @ the Nerman Museum of Contemporary Art as part of OpenSpacesKC</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1537726547477-W2GT5G0DVMKCW9J23LO3/OPENSPACES.jpg</image:loc>
      <image:title>interviews - Pneumatopia @ the Nerman Museum of Contemporary Art as part of OpenSpacesKC</image:title>
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  <url>
    <loc>https://michaelrees.org/blog/2018/5/1/on-edge-aldrich-museum-may-20-2018-january-13-2019-neehh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1525225694798-E3YYF2644MBD22AQ8KA5/The+Aldrich_On+Edge_Exhibition+Opening.jpg</image:loc>
      <image:title>interviews - On Edge, Aldrich Museum May 20, 2018-January 13, 2019</image:title>
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  <url>
    <loc>https://michaelrees.org/blog/2018/5/1/synthetic-cells-site-and-para-site-grounds-for-sculpture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1537727636865-HCNMRNPOTE0LWSROXA1J/GFS.jpg</image:loc>
      <image:title>interviews - Synthetic Cells: Site and Para(Site) @ Grounds For Sculpture - Synthetic Cells: Site and Para (Site)</image:title>
      <image:caption>Synthetic Cells is an n-dimensional sculptural project that uses augmented reality and inflatable vinyl sculptures to weave a rich melange around the collision of utopias and an updated 21rst century Chattaqua. Curated by Tom Moran, Rees also conceived of the exhibition as a para-site for artists working with augmented reality to create a show beside the site of the inflatable vinyl cubes. Grounds for Sculpture has invited guest curators Edward Winkelman and Murat Otrbozekov to curate the Para (Site) with 6 artists: Will Pappenheimer, Claudia Hart, Chris Manzione, Tamiko Thiel, Carla Gannis, John Craig Freeman.</image:caption>
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  <url>
    <loc>https://michaelrees.org/blog/2016/11/25/clown-town-extended</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-26</lastmod>
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  <url>
    <loc>https://michaelrees.org/blog/2016/9/22/clown-town-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-03</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/blog/2016/9/22/murmuration-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-22</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/blog/2014/4/1/inclusion-in-making-now-open-for-exchange</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-04-02</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/blog/2014/3/12/lisa-talk-leaders-in-software-and-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1394632103914-8S538AH4Q14DY7U4UK0R/image-asset.jpeg</image:loc>
      <image:title>interviews - LISA talk (Leaders in Software and Art)</image:title>
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  </url>
  <url>
    <loc>https://michaelrees.org/blog/2013/11/25/panel-discussion-innovative-public-art-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2013-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1385441502478-GR9SFBY4GW6GXEZYLU7D/LECTURE_PANEL.jpg</image:loc>
      <image:title>interviews - Panel Discussion Innovative Public Art Project</image:title>
      <image:caption>link to recording of the panel  my talk begins at 55 minutes. with a question and answer towards the end.</image:caption>
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  <url>
    <loc>https://michaelrees.org/blog/2013/11/13/lecture-at-florida-state-university-november-21</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2013-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1384361289036-5OBK2SRU1HZJYEVNIFSV/Rees+%26+FAR+show+card+%282013%29.jpg</image:loc>
      <image:title>interviews - Lecture at Florida State University November 21</image:title>
      <image:caption>Live in Tallahasse or know someone who does, pleae share.</image:caption>
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  </url>
  <url>
    <loc>https://michaelrees.org/blog/2013/11/6/converge-ghraib-bag-on-broadway-between-58-and-59</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2013-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1383774185570-JXMLHTVD00R3ART0U6HM/ConvergeDOT.jpg</image:loc>
      <image:title>interviews - Converge: Ghraib Bag on Broadway between 58 and 59</image:title>
      <image:caption>Converge: Ghraib Bag is included in the Museum of Art &amp; Design's Out of Hand: Materializing the Post Digital, curated by Ron Labacco. Two of my works are included in the exhibition: Converge:  Ghraib Bag, a sculpture and animation from 2008, and a collaborative piece with Robert Gero called Intervening Phenomena which was part of our Tactical Play Exchange Series from 2012-13.  Viewers are encourages to use their smart phones to see the animation for the exhbition. A local QR TAG takes them to the animation (click here)  or by typing http://www.thwack.tv. These works will be up until April 17, 2014.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/blog/2013/10/25/new-yorker-covers-intervening-phenomena</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2013-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1383774364426-ZJEFW7IKRKN6QX4QASP3/IE.jpg</image:loc>
      <image:title>interviews - New Yorker Covers Intervening Phenomena</image:title>
      <image:caption>  In Review of Out of Hand, the New Yorker covers Intervening Phenomena. click to link A Canadian-born artist, Robert Gero, pointed to a contraption he built with Michael Rees, which they call “Intervening Phenomena.” It looked a bit like a white umbrella that had been destroyed by a barreling gust of wind, and then positioned upright on a platform. Gero said that he and Rees are working with “tactical play exchange.” The white geometric umbrella top was actually the floor plan of a gallery, manipulated into a different shape, and made into a sculpture. “In a network, things get twisted, modified,” Gero explained. On one side were projected images from the opening scene of the 1961 film “Last Year at Marienbad.” Gero said, “It’s all about iteration.”  - Betsy Morais Architectural Record  mentions Converge click to link</image:caption>
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  </url>
  <url>
    <loc>https://michaelrees.org/blog/2013/10/3/advance-press-for-converge-columbus-circle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2013-11-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1380851870457-Z6IC1PMEL8JHEKVTYQCU/IMG_4346.jpg</image:loc>
      <image:title>interviews - Advance Press for Converge @ Columbus Circle</image:title>
      <image:caption>Converge: Ghraib Bag, 2008</image:caption>
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  </url>
  <url>
    <loc>https://michaelrees.org/blog/2013/10/6/doing-and-undergoing-at-teachers-college</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2013-11-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1381116533466-G6UIML3P2FAD2E2Z6UQA/UmAndAhShiftDewey.jpg</image:loc>
      <image:title>interviews - Doing and Undergoing at Teacher's College</image:title>
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  </url>
  <url>
    <loc>https://michaelrees.org/blog/2013/8/10/gramalazzo-garfagnana-tuscany-italy-robots</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2013-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1376192085406-2ERAV17YK1DFNTRRVG1T/IMG_6718.jpg</image:loc>
      <image:title>interviews - gramalazzo, garfagnana, tuscany, italy: robots</image:title>
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      <image:caption>Detail of Parrott Parrott. The work on the left grows from a collaborative exchange with Chris Manzione.</image:caption>
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      <image:title>interviews - 2012 Here's an interview with Bradley Rubenstein</image:title>
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    <loc>https://michaelrees.org/1980-gun-sculpture/tag/kansas+city</loc>
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    <loc>https://michaelrees.org/putto</loc>
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      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1383537836888-5RJE38WCU6BV5R39EOT5/IMG_3276.jpg</image:loc>
      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1383537836067-XXBLJNNC002MTLPMK4GZ/IMG_3271.jpg</image:loc>
      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1383537832524-F8GXZYZWG0C6HIP5G1HL/_barrellTbarrell.jpg</image:loc>
      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1383537833764-LOESQPNSRWPYB6D4LVZO/_barrelTBarrellInstall.jpg</image:loc>
      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
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    <image:image>
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      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
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    <image:image>
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      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
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    <image:image>
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      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
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    <image:image>
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      <image:title>2013 Occupy and Preservation - Carving Stone with Robots in Tuscany</image:title>
    </image:image>
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  <url>
    <loc>https://michaelrees.org/augmented-reality/2013/11/11/augmented-reality-experiments</loc>
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    <lastmod>2013-11-26</lastmod>
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      <image:title>2013 Occupy and Preservation - Augmented Reality Experiments</image:title>
      <image:caption>Ultimately the QR tag is unnecessary, an extra step. More later.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1385384552057-QWT1ANJ2SVW0BPFWA1EM/clownTHorse.png</image:loc>
      <image:title>2013 Occupy and Preservation - Augmented Reality Experiments</image:title>
      <image:caption>Preservation of Finitude: Clown Triggers Horse</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/augmented-reality/2013/8/10/ar-experiments</loc>
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    <lastmod>2013-11-07</lastmod>
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      <image:title>2013 Occupy and Preservation - augmented reality experiments</image:title>
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    <image:image>
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      <image:title>2013 Occupy and Preservation - augmented reality experiments</image:title>
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    <image:image>
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      <image:title>2013 Occupy and Preservation - augmented reality experiments</image:title>
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    <image:image>
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      <image:title>2013 Occupy and Preservation - augmented reality experiments</image:title>
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      <image:title>2013 Occupy and Preservation - augmented reality experiments</image:title>
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      <image:title>2013 Occupy and Preservation - augmented reality experiments</image:title>
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    <loc>https://michaelrees.org/augmented-reality/tag/digital+stone</loc>
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    <loc>https://michaelrees.org/augmented-reality/tag/marble</loc>
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    <loc>https://michaelrees.org/augmented-reality/tag/outdoor+sculpture</loc>
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    <loc>https://michaelrees.org/augmented-reality/tag/innovazione+garafagnana</loc>
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    <loc>https://michaelrees.org/augmented-reality/tag/sculpture+and+digital+media</loc>
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    <loc>https://michaelrees.org/augmented-reality/tag/3d+redering</loc>
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    <loc>https://michaelrees.org/augmented-reality/tag/Tuscanny+stone+with+robots</loc>
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    <loc>https://michaelrees.org/augmented-reality/tag/italy</loc>
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    <loc>https://michaelrees.org/augmented-reality/tag/occupy+itch+scratchy</loc>
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  <url>
    <loc>https://michaelrees.org/new-blog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-07-21</lastmod>
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    <loc>https://michaelrees.org/new-blog/2013/11/6/converge-ghraib-bag-on-broadway</loc>
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    <lastmod>2014-07-21</lastmod>
    <image:image>
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      <image:title>Converge: Ghraib Bag 2008 - Converge: Ghraib Bag on Broadway</image:title>
      <image:caption>Converge: Graib Bag is connected to Rees’s sculptures from 2003-2010 from the Putto Series. Located within the grotesque and the uncanny, Rees experimented and developed a method of working that used animations and industrial forms of manufacture to create large scale sculptures and media experiences that engaged political realities. The ideas grew out of art historical antecedents but were extended to address our new political reality, a nation at ware willing to stretch legalities and to engage in torture. Converge recalled Hans Bellmer sculptures, Calder’s large modernist plaza installations, and Nauman’s linguistic constructions but then also the photographs from the prison at Abu Graib. The body is a conglomeration of many bodies: the sense of multiple consciousnesses occupying the same corporeal body, or the valences of an object containing various layers of the political, the aesthetic, the historical and so on. As such they begged questions about our technologies, our desires, and our moralities. They put the viewer in the cockpit view of a train wreck of tendencies. They reflected a concern about war and our divided culture.</image:caption>
    </image:image>
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    <loc>https://michaelrees.org/new-blog/2013/9/30/converge</loc>
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    <lastmod>2014-07-21</lastmod>
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    <loc>https://michaelrees.org/new-blog/2013/10/8/snap-shot</loc>
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    <lastmod>2014-07-21</lastmod>
    <image:image>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1381275397177-675U3LRDT7HI2IQEG5UO/ConvergeDOTPhoto.jpg</image:loc>
      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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    <image:image>
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      <image:title>Converge: Ghraib Bag 2008 - snap shot</image:title>
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  </url>
  <url>
    <loc>https://michaelrees.org/new-blog/2013/10/8/credits</loc>
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    <lastmod>2013-10-11</lastmod>
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      <image:title>Converge: Ghraib Bag 2008 - Credits</image:title>
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    <image:image>
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      <image:title>Converge: Ghraib Bag 2008 - Credits</image:title>
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    <loc>https://michaelrees.org/new-blog/2013/10/8/statement-2008</loc>
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    <lastmod>2013-10-08</lastmod>
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  <url>
    <loc>https://michaelrees.org/clowntown</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-13</lastmod>
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  <url>
    <loc>https://michaelrees.org/clowntown/2018/3/16/clowntown-press-release</loc>
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    <lastmod>2018-06-13</lastmod>
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      <image:title>ClownTown - ClownTown Press Release</image:title>
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    <loc>https://michaelrees.org/clowntown/2018/3/16/installation-view</loc>
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    <lastmod>2018-03-18</lastmod>
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      <image:title>ClownTown - ClownTown Installation View</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1521237774371-V66PJQ7BOV5XD5I0LOHV/002.jpg</image:loc>
      <image:title>ClownTown - ClownTown Installation View</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1521237776035-AVM2T1I0MU8625OXEB6L/003.jpg</image:loc>
      <image:title>ClownTown - ClownTown Installation View</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1521237776119-WF7UQ6MV6Q67RCR0NCF9/004.jpg</image:loc>
      <image:title>ClownTown - ClownTown Installation View</image:title>
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    <image:image>
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      <image:title>ClownTown - ClownTown Installation View</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1521237778024-7W4RUFH3BA3M9JXMNN0P/006.jpg</image:loc>
      <image:title>ClownTown - ClownTown Installation View</image:title>
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    <image:image>
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      <image:title>ClownTown - ClownTown Installation View</image:title>
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    <image:image>
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      <image:title>ClownTown - ClownTown Installation View</image:title>
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    <image:image>
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      <image:title>ClownTown - ClownTown Installation View</image:title>
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      <image:title>Synthetic Cells: Site and Para(Site) - Synthetic Cells: Site and Para(Site) photographs - Synth Cell 003 China Wall, Pig (pink, yellow, clear, print).</image:title>
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      <image:title>Synthetic Cells: Site and Para(Site) - Synthetic Cells: Site and Para(Site) photographs - Synth Cell 003 China Wall, Pig (pink, yellow, clear, print).</image:title>
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      <image:caption>air-inflated PVC vinyl, ink jet print on vinyl, steel, augmented reality app, 2018.</image:caption>
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      <image:caption>air-inflated PVC vinyl, ink jet print on vinyl, steel, augmented reality app, 2018.</image:caption>
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    <loc>https://michaelrees.org/aldrichonedge/2018/10/14/on-edge-at-the-aldrich-through-january-13-2019</loc>
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      <image:title>Aldrich On Edge - On Edge at the Aldrich through January 13, 2019</image:title>
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  <url>
    <loc>https://michaelrees.org/aldrichonedge/2018/10/14/on-edge-documentation</loc>
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    <lastmod>2018-10-14</lastmod>
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      <image:title>Aldrich On Edge - On Edge Documentation - Test for Kindred Spirits</image:title>
      <image:caption>Edge Mat with Musca Domestica and Kindred Spirits (1849)*, 2018 Archival inkjet print with augmented reality (Samsung tablet with custom app, stand and tablet holder) *Image downloaded from the Internet: https://bit.ly/2HixIeA</image:caption>
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      <image:title>Aldrich On Edge - On Edge Documentation - Edge Mat with Musca Domestica and Kindred Spirits (1849)*, 2018</image:title>
      <image:caption>Archival inkjet print with augmented reality (Samsung tablet with custom app, stand and tablet holder) *Image downloaded from the Internet: https://bit.ly/2HixIeA</image:caption>
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      <image:title>Aldrich On Edge - On Edge Documentation - Edge Mat with Musca Domestica and Kindred Spirits (1849)*, 2018</image:title>
      <image:caption>Archival inkjet print with augmented reality (Samsung tablet with custom app, stand and tablet holder) *Image downloaded from the Internet: https://bit.ly/2HixIeA</image:caption>
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      <image:title>Aldrich On Edge - On Edge Documentation - Edge Mat with Musca Domestica and Kindred Spirits (1849)*, 2018</image:title>
      <image:caption>Archival inkjet print with augmented reality (Samsung tablet with custom app, stand and tablet holder) *Image downloaded from the Internet: https://bit.ly/2HixIeA</image:caption>
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      <image:title>Aldrich On Edge - On Edge Documentation - User with Edge Mat with Musca Domestica and Kindred Spirits (1849)*, 2018</image:title>
      <image:caption>Archival inkjet print with augmented reality (Samsung tablet with custom app, stand and tablet holder) *Image downloaded from the Internet: https://bit.ly/2HixIeA</image:caption>
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    <image:image>
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      <image:title>Aldrich On Edge - On Edge Documentation - test: Edge Mat with Feet and Wanderer Above the Sea Fog (1818)*, 2018</image:title>
      <image:caption>Archival inkjet print with augmented reality (Samsung tablet with custom app, stand and tablet holder) *Image downloaded from the Internet: https://bit.ly/2HfgIdo</image:caption>
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      <image:title>Aldrich On Edge - On Edge Documentation - test: Edge Mat with Feet and Wanderer Above the Sea Fog (1818)*, 2018</image:title>
      <image:caption>Archival inkjet print with augmented reality (Samsung tablet with custom app, stand and tablet holder) *Image downloaded from the Internet: https://bit.ly/2HfgIdo</image:caption>
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  <url>
    <loc>https://michaelrees.org/aldrichonedge/2018/10/14/press-release-for-on-edge-organized-by-richard-klein</loc>
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      <image:title>blog - Wow, haven’t posted since November of 2018...</image:title>
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    <lastmod>2018-11-08</lastmod>
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      <image:title>Pneumatopia - Pneumatopia</image:title>
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      <image:title>Pneumatopia - Pneumatopia</image:title>
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    <image:image>
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      <image:title>Pneumatopia - Pneumatopia</image:title>
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    <image:image>
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      <image:title>Pneumatopia - Pneumatopia</image:title>
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    <image:image>
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      <image:title>Pneumatopia - Pneumatopia</image:title>
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    <image:image>
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      <image:title>Pneumatopia - Pneumatopia</image:title>
    </image:image>
    <image:image>
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      <image:title>Pneumatopia - Pneumatopia</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1541568273252-65QGBP3QBPZ4W63C45PZ/IMG_1413.JPG</image:loc>
      <image:title>Pneumatopia - Pneumatopia</image:title>
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    <image:image>
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      <image:title>Pneumatopia - Pneumatopia</image:title>
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  </url>
  <url>
    <loc>https://michaelrees.org/pneumatopia/2018/11/7/contagious-codes-and-plastic-visions-by-johanna-mara-klmel</loc>
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    <lastmod>2018-11-15</lastmod>
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    <priority>0.75</priority>
    <lastmod>2025-12-04</lastmod>
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  <url>
    <loc>https://michaelrees.org/chronicle/2020/3/22/82vd5qjw7wkjjzta6tqs36gcwq9w3n</loc>
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    <lastmod>2020-03-23</lastmod>
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      <image:title>The Chronicle - Interview for survivors net</image:title>
      <image:caption>why not turn this into some kind of adventure?</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1584995091347-K7Z1RMHNKYQOJEN2E7LB/voiceTotheChorus.png</image:loc>
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      <image:caption>Adding His Voice to the Chorus</image:caption>
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    <loc>https://michaelrees.org/chronicle/2019/4/7/read-this</loc>
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    <lastmod>2019-09-10</lastmod>
  </url>
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    <loc>https://michaelrees.org/chronicle/2019/9/10/been-there-done-that-aint-gonna-happen-any-more</loc>
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    <priority>0.5</priority>
    <lastmod>2019-09-10</lastmod>
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      <image:title>The Chronicle - been there done that, ain't gonna happen any more!</image:title>
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    <loc>https://michaelrees.org/chronicle/2019/6/18/my-first-solid-meal</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-18</lastmod>
  </url>
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    <loc>https://michaelrees.org/chronicle/2019/6/10/posting-fasting-waning</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-10</lastmod>
  </url>
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    <loc>https://michaelrees.org/chronicle/2019/5/29/35th-day-of-radiation-come-and-gone</loc>
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    <priority>0.5</priority>
    <lastmod>2019-05-29</lastmod>
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      <image:title>The Chronicle - 35th day of radiation come and gone</image:title>
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  <url>
    <loc>https://michaelrees.org/chronicle/2019/5/21/illness-as-metaphor-or-random-act-of-bodily-breakdown</loc>
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    <priority>0.5</priority>
    <lastmod>2019-05-29</lastmod>
  </url>
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    <loc>https://michaelrees.org/chronicle/2019/5/29/merganser-eats-snakeidentifying-with-nature</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-09</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/5/20/i-vomited-at-the-whitney-biennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-20</lastmod>
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      <image:title>The Chronicle - I vomited at the whitney biennial.</image:title>
      <image:caption>Letting it got at the whitney biennial. </image:caption>
    </image:image>
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  <url>
    <loc>https://michaelrees.org/chronicle/2019/5/12/more-things-that-happened-on-this-day</loc>
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    <priority>0.5</priority>
    <lastmod>2019-05-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1557634614306-5195CR2F3UA1DO5LUD3T/FullSizeRender.jpg</image:loc>
      <image:title>The Chronicle - more things that happened on this day</image:title>
      <image:caption>B is for Bang, when Thomas Heatherwick was an interesting sculptor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/5/8/when-im-free-to-eat</loc>
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    <priority>0.5</priority>
    <lastmod>2019-05-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1557632456960-CX7ING3GUSY3X7V9OVWZ/IMG_0609.JPG</image:loc>
      <image:title>The Chronicle - when I’m free to eat</image:title>
    </image:image>
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  <url>
    <loc>https://michaelrees.org/chronicle/2019/5/6/over-12-way-through</loc>
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    <lastmod>2019-05-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1557164021695-87OOI2RWVOYJ6K4EEDX4/IMG_3942.JPG</image:loc>
      <image:title>The Chronicle - over 1/2 way through</image:title>
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  <url>
    <loc>https://michaelrees.org/chronicle/2019/5/2/so-long</loc>
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    <lastmod>2019-05-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1557164206490-STX8K0WQE60I9AZLSYAC/IMG_3952.JPG</image:loc>
      <image:title>The Chronicle - So long...</image:title>
    </image:image>
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  <url>
    <loc>https://michaelrees.org/chronicle/2019/5/1/symptomatic</loc>
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    <lastmod>2019-05-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1556987429184-DLPTY6S6YE6HDYM4S2C5/IMG_3883.jpg</image:loc>
      <image:title>The Chronicle - Symptomatic</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/27/knowing-versus-feeling</loc>
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    <priority>0.5</priority>
    <lastmod>2019-04-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1556639850804-JGJE3I0CRAKVURBFQ8PV/IMG_3724.jpg</image:loc>
      <image:title>The Chronicle - knowing versus feeling</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/23/evening-raga</loc>
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    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1556072754651-Y7C51J1C82P8NBIE6JCD/Radiation+-+1.jpg</image:loc>
      <image:title>The Chronicle - evening raga</image:title>
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    <loc>https://michaelrees.org/chronicle/2019/4/23/tuesday-week-three</loc>
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    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1556032194513-O1L1SJBZW6EYZNRZNYWK/FullSizeRender.jpg</image:loc>
      <image:title>The Chronicle - tuesday, week three</image:title>
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    <loc>https://michaelrees.org/chronicle/2019/4/19/end-of-week-two</loc>
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    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1556070946371-8FTYPSSCNK8AHJG9SBV9/tpoint1.jpg</image:loc>
      <image:title>The Chronicle - End of week two</image:title>
    </image:image>
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  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/16/radiation-cbdthc-olive-oil-the-spiritual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
  </url>
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    <loc>https://michaelrees.org/chronicle/2019/4/15/meditation</loc>
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    <priority>0.5</priority>
    <lastmod>2019-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555350210586-HFZZIZ3AZAOHGODHHSTQ/henrique-oliveira-desnatureza.jpg</image:loc>
      <image:title>The Chronicle - Meditation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555350268830-O6191A65E4R06C4J9QP7/Kafka+-+1+%281%29.jpg</image:loc>
      <image:title>The Chronicle - Meditation</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/13/watching-the-shore-slowly-disappear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-15</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/13/mom-and-dad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555196132210-WSFKJX011PE1F8YT3E1Z/IMG_3651.JPG</image:loc>
      <image:title>The Chronicle - Mom and Dad</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/12/dream-cowboy-covered-wagons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555118680207-L7YYS4GSF8BPJ6FLXSVW/FullSizeRender.jpg</image:loc>
      <image:title>The Chronicle - Dream, Cowboy, Covered Wagons</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/12/end-of-the-first-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555115945873-YA92EGGB7C0XJX2ZTSJQ/IMG_0601.JPG</image:loc>
      <image:title>The Chronicle - End of the First Week</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/12/clich-and-platitudes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555115173014-OXB6T7NDK0T7JSUGYQYC/DBC5DE7D-67B0-4188-8960-35BB81AD3F80.JPG</image:loc>
      <image:title>The Chronicle - Clichés and Platitudes</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/12/control-issues</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555115134930-88FWAUM1OE090HN574NQ/0C225A15-23DE-4412-A3BD-3F89F0691428.JPG</image:loc>
      <image:title>The Chronicle - Control Issues</image:title>
      <image:caption>“There's black hole news of cosmic proportions, and then there's Belgian news. A stud bull breaks his penis while copulating because of an ambulance helicopter landing in the same pasture. Bull will be put down and farmer now sues emergency services.” https://bit.ly/2uYV58D from a post from Angelo Vermuelen on fb Now thats a tangle of control issues.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/11/what-does-s-person-with-cancer-look-like</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555105004784-NH48TAUYTXOLVA3W5K43/FullSizeRender.jpg</image:loc>
      <image:title>The Chronicle - What does a person with cancer look like?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/10/what-does-a-person-with-cancer-look-like</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-13</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/9/chemo-first-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1554815850690-50YEXHQZ2TQSV353GYXT/MSKccSalinePump.jpg</image:loc>
      <image:title>The Chronicle - Chemo First Day</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1554815849393-E0NECYU994BVJGE4H01I/MMSKccMask.jpg</image:loc>
      <image:title>The Chronicle - Chemo First Day</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1554815839604-LA0CUVN84OXD5XPXRNV7/MSKccMaskRefit.jpg</image:loc>
      <image:title>The Chronicle - Chemo First Day</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/8/from-mary-ann</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-08</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/8/treatment-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555115457073-FRLZ6Y9CQE8FOVXTNYV8/FullSizeRender.jpg</image:loc>
      <image:title>The Chronicle - Treatment Week</image:title>
      <image:caption>Joana Vasconcelas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/12/cancer-dream</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555121555274-3Y0U1290RE8H3P8KM9DO/Kafka+-+1.jpg</image:loc>
      <image:title>The Chronicle - Cancer Dream</image:title>
      <image:caption>The body processed by history, memory, institutions.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/12/oncos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555119696665-2O2G1N2B6F84LXHD4ZKO/IMG_0604.JPG</image:loc>
      <image:title>The Chronicle - Oncos</image:title>
      <image:caption>Onkos Greek Theatre Masks. The originals were made of linen, these are stone representations.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/12/diary-march-11</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555122043046-G37V25OR5ERJ70EYF225/HirstImpossibility.jpg</image:loc>
      <image:title>The Chronicle - Diary March 11</image:title>
      <image:caption>General sense of the impossibility of conceiving how difficult this is going to be. Like The Physical Impossibility of Death in the Mind of Someone Living - Damian Hirst</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/chronicle/2019/4/12/diary-saturday-february-27</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1555120881441-UG9Q49LD0USW61LZIH06/Altmejd+-+1.jpg</image:loc>
      <image:title>The Chronicle - Diary Saturday, February 27</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-07-29</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/7/29/ad-hoc-ongoing-from-july-29-with-will-pappenheimer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-29</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/7/17/ad-hoc-ongoing-from-july-15-with-carla-gannis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1626546537680-AQQVV8IGY4ML5AFF3HFG/Carla+Gannis.jpg</image:loc>
      <image:title>Ad Hoc biweekly conversations - Ad Hoc ongoing from July 15, with Carla Gannis - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/7/1/1mq5le8hjts6x3vzsm3p99dhltlo97</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1625160255374-PR6EYBPW43QLAB3QU0FN/freeman.jpg</image:loc>
      <image:title>Ad Hoc biweekly conversations - Ad Hoc ongoing from July 1, 2021 with John Craig Freeman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/6/15/ad-hoc-ongoing-from-june-17-1030am-et-with-tamiko-thiel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1623778160764-SW1SI4WWISR5VB85EAAQ/SLIDESHOW_MichaelRees_Tamiko+Thiel-page-002.jpg</image:loc>
      <image:title>Ad Hoc biweekly conversations - Ad Hoc ongoing from June 17, 10:30am ET with Tamiko Thiel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/6/3/ad-hoc-ongoing-from-june-3-1230pm-with-chris-manzione</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1622767661028-56BT8X4SJHB4S1A5YM9A/manzione.jpg</image:loc>
      <image:title>Ad Hoc biweekly conversations - Ad Hoc ongoing from June 3, 12:30pm with Chris Manzione - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/5/19/ad-hoc-episode-4-with-claudia-hart-05202021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1621444950624-OK4A0P0X1R73BDUIKDXR/extracted_SLIDESHOW_MichaelRees_Claudia+Hart.jpg</image:loc>
      <image:title>Ad Hoc biweekly conversations - Ad Hoc Episode 5 with Claudia Hart 05.20.2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/5/7/ad-hoc-episode-3-with-edward-winkelman-and-thomas-moran-05062021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1620363518642-AUBHN4EP9QNHM0T9CPZN/intaCardWinkleMoran.jpg</image:loc>
      <image:title>Ad Hoc biweekly conversations - Ad Hoc Episode 4 with Edward Winkelman and Thomas Moran 05.06.2021</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/4/21/ad-hoc-episode-2-with-anna-ehrsam-and-edward-a-shanken-04222021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1619030828263-HLALH20XNYSYHD6GL6E7/INstagramCardShankenEhrsam.jpg</image:loc>
      <image:title>Ad Hoc biweekly conversations - Ad Hoc Episode 3 with Anna Ehrsam and Edward A Shanken  04.22.2021</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/4/8/ad-hoc-episode-2-with-tom-moran</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-04</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/ad-hoc-biweekly-conversations/2021/4/2/ad-hoc-with-gary-garrido-schneider-and-anna-ehrsam-03252021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-04</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/projects-and-platforms-nfts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-28</lastmod>
  </url>
  <url>
    <loc>https://michaelrees.org/projects-and-platforms-nfts/2022/5/9/announcing-projects-and-platforms-exploring-the-culture-of-nfts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/88c9beb8-ea29-4d26-be10-10139a0714ac/Sponsors450.jpg</image:loc>
      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/0140a082-eb90-43fc-99e2-c1f685a2efcf/Screen+Shot+2022-05-28+at+7.25.43+PM.png</image:loc>
      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF - David Henry Brown jr</image:title>
      <image:caption>David Henry Brown Jr. is an Interventionist/immersionist performance artist and sculptor who works in diverse mediums, often placing his physical body into the work. Frequently riffing off of the dark side of American popular culture, he has been showing his work since the early 1990s both in the New York art world and as a renegade underground figure and as a collaborator. During his many different artistic periods, his work often involves the creation of characters that perform and make objects. His work first became notorious when he Impersonated New York socialite Alex Vonfurstenberg crashing VIP parties for one whole year in 2000. Sixty photos document “Alex” meeting the Clintons, Puff Daddy, and other luminaries. The project was shown as his first solo show at Roebling Hall gallery In new York and created an international news scandal in the Media, appearing in The New York Observer, The Globe, and on ABC’s 20/20 with John Stossil, to name a few. His work has been collected in prominent private art collections. project: @davidhenrynobodyjr portfolio: website</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/8cc56c90-8305-4c56-adc5-dd17a30fd6ec/Screen+Shot+2022-05-28+at+7.25.48+PM.png</image:loc>
      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF - Michael Joo</image:title>
      <image:caption>Korean-American conceptual artist Michael Joo manipulates a wide array of unexpected materials, from antlers and human sweat to fiber optics and magnets, to explore places, people, and objects by reinterpreting perception, asking, “Why do we perceive as we perceive?”. Amid a profusion of themes and styles, certain natural and spiritual motifs emerge, particularly animals and the Buddha. For example, in Bodhi Obfuscatus (Space Baby) (2005), a stone Buddha statue wears a halo of interconnected cameras, which then project close-ups of the Buddha onto screens mounted in the space around the statue.   OG crystal Reef: A collaboration between Michael Joo and Danil Krivoruchko, produced by Snark.art. OG:CR transforms static NFTs into a flourishing digital reefscape, where each unique individual piece of digital art grows every time it is re-sold.  All 10,301 OG: Crystals will become a direct reflection of both their owner and future transactional history, creating a visual record of combined digital and organic processes.  Like the living architecture formed by the exoskeletons of coral polyps, past, present and future coexist, offering a new take on NFTs, value, and the creative process.  project: Organic Growth Crystal Reef portfolio: website</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/3aa0bd98-d998-4e08-af7f-3b13f73f0d70/Screen+Shot+2022-05-28+at+7.25.53+PM.png</image:loc>
      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF - Casey Reas</image:title>
      <image:caption>Casey Reas, born 1972 in Troy, Ohio. Lives and works in Los Angeles. Reas' software, prints, and installations have been featured in numerous solo and group exhibitions at museums and galleries in the United States, Europe, and Asia. His work ranges from small works on paper to urban-scale installations, and he balances solo work in the studio with collaborations with architects and musicians. Reas' work is in a range of private and public collections, including the Center Georges Pompidou and the San Francisco Museum of Modern Art. Reas is a professor at the University of California, Los Angeles. He holds a master's degree from the Massachusetts Institute of Technology in Media Arts and Sciences and a bachelor's degree from the College of Design, Architecture, Art, and Planning at the University of Cincinnati. With Ben Fry, Reas initiated Processing in 2001; Processing is an open-source programming language and environment for the visual arts.  project: Feral File portfolio: website</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/cb9d8202-b025-4a26-b1ac-13eebc3c3e40/Screen+Shot+2022-05-28+at+7.25.10+PM.png</image:loc>
      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF - Michael Rees</image:title>
      <image:caption>Michael Rees was born in Kansas City, Missouri. He received a BFA from the Kansas City Art Institute in 1982 and a MFA from Yale University in 1989. He is a professor of Sculpture and Digital Media at William Paterson University and the Director of the Center For New Art. He has shown work in public venues, including The Whitney Museum, the Museum of Art and Design, Grounds For Sculpture, The Nerman Museum of Contemporary Art, Lenexa, Kansas, and others. He has also shown work in one-person shows in New York galleries including Bravin Lee Projects, 303 Gallery, Pablo’s Birthday, and others.  He has produced Projects and Platforms: Exploring the Culture of NFT’s along with Michele Thursz and will host the Projects panel. portfolio: website</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/1c099a98-fbc3-4efd-9c21-a4e4e93d867d/Garcia.jpg</image:loc>
      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF</image:title>
      <image:caption>Over the last 6 years, Sofia Garcia has become a noteworthy leader in the Generative Art space as a curator, advisor and community builder. Sofia has been honored with Apollo Magazine’s 40 Under 40 in Art + Tech | Business as the founder of ARTXCODE, a generative art house. She currently sits on the curation board for Art Blocks and is also an advisor for the company. She previously worked at Onyx by J.P. Morgan as a blockchain technical design strategist and as Director of Education of Code/Art, a non-profit focused on teaching young girls how to make art with code. platform: ArtXCode</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/a6f6b412-2f04-4dd5-8ce7-0c3a52882784/Screen+Shot+2022-05-28+at+7.26.00+PM.png</image:loc>
      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF - Jennifer and Kevin McCoy</image:title>
      <image:caption>Jennifer and Kevin McCoy are New York-based digital media artists whose works extend from film and video to installation and generative software.  Recent work includes generative software that uses blockchain technology to create long-term ecosystems for images to live, die, and evolve. In 2014, artist Kevin McCoy minted the world’s first digital art NFT. He also co-founded the blockchain company Monegraph. Their work is in the permanent collections of the Museum of Modern Art, The Metropolitan Museum of Art, the Milwaukee Art Museum, the Whitney Museum of American Art, and the Museum of Fine Arts, Houston. They received a Creative Capital award in 2003 and a Guggenheim Fellowship in 2011. Their work is represented by Postmasters Gallery in New York. Platform: Monegraph portfolio: website</image:caption>
    </image:image>
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      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF - Nadia Taiga</image:title>
      <image:caption>Nadia Taiga is the Executive and Curatorial Director at snark.art and a digital art consultant. Snark.art art market that since 2018 has experimented with blockchain technology as a revolutionary, interactive art medium. Together with artists Snark.art pushes the boundaries of artistic concepts and technology aiming to create an entirely new genre of art that will remain in history. The projects developed and presented by Snark.art include interactive, performance, music, literature, fractional ownership, and revolutionary dynamic generative NFT art projects by international established and emerging artists. Prior to joining Snark.art in 2019, Nadia Taiga operated as an international Exhibition Producer, Art Consultant, and Curator. Her experience includes ten years of management of Collateral Events at the Venice Biennale of Art and nationally recognized museum exhibitions and large-scale public art projects; work as an Art Consultant and Dealer with collectors globally; and project collaboration with over 200 artists from distinct countries. Taiga is helping to increase the value of life through art and new technologies. platform: SnarkArt</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51197458e4b0f1a7921105ed/ebf854a9-ed0e-4cac-8526-41c254d6566b/Screen+Shot+2022-05-28+at+7.25.38+PM.png</image:loc>
      <image:title>NFTs: Projects and Platforms - Announcing: Projects and Platforms: Exploring the Culture of NF - Michele Thursz</image:title>
      <image:caption>Michele Thursz is an art professional based in New York. She studied painting and art history at The School of the Art Institute of Chicago and received an MA in Curatorial Practice from The School of Visual Arts. She specializes in Postwar, Contemporary art, and Emerging art. She has organized exhibitions internationally, regionally in and outside institutions. She has written and led public conversations about contemporary art practice and the market. She is an Accredited Member of The Appraisers Association of America and USPAP compliant through 2022. She is on the Board of Directors, Harvestworks Digital Media Art Center; New York Editorial Board, University of California, Academic Journal, Resonance: Sound and Culture. Michele will host the Platforms panel. platform: a post media network</image:caption>
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      <image:caption>Model Behavior</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Up Now - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Claudette's Theatre on Wheels</image:title>
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      <image:title>Future Foot Forms - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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